Hypertheatre: Contemporary Radical Adaptation of Greek Tragedy investigates the adaptation of classical drama for the contemporary stage and explores its role as an active, polemical form of theatre which addresses present-day issues. The book’s premise is that by breaking drama into constituent parts, revising, reinterpreting and rewriting to create a new, culturally and politically relevant construct, the process of adaptation creates a 'hyperplay', newly repurposed for the contemporary world. This process is explored through a diverse collection of postmodern adaptations of Antigone, Medea, and The Trojan Women, analysing their adaptive strategies and the evidence of how these remakings reflect the cultures of which they are a part. Central to this study is the idea that each of these adaptations becomes an entirely new play, redefining its central female figures and invoking reconfigurations of femininity which emphasise individual women’s strengths and female solidarity. Written for scholars of Theatre, Adaptation, Performance Studies, and Literature, Hypertheatre places the Greek classics firmly within a contemporary feminist discourse.
The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined for the first time with...
... hyper - theatre which contains a sort of hypo - theatre as a performance ( that is to say , a staging ) revealed to be a simulation of reality . In this way , the theatrical game enunciates itself at two levels : ( 1 ) the staging of a ...
In 1993 when Robert Lepage suggested to his colleagues that a specific identity and image be found for his next working group, he imposed one condition. The word "theatre" was...
Lacan redefines the “death instinct” as a drive produced by the human immersion in culture and language, not by a natural force in all creatures (which Modell critiques in Freud's theory).16 This erotic and deadly drive, with the lure ...
Fantasy offers an opportunity to encounter the gaze, and as a result—film ... fertility in generating new desire(s), and its capacity to challenge ideology.
This book showcases how the post-dictatorship generation developed performances that mapped the uncharted territories of Brazil’s political trauma with new dramaturgies, site-specific and street productions, and aesthetic experimentation.
... hypertheatre conceived by directors who imposed their own interpretations and played skilfully with the hybridization of the postmodern, a certain emancipation seems to have become necessary (and even salutary?), on the part of the ...
Within the space of a year, between 1995 and 1996, three highly unusual shows were produced by three celebrated figures in world theatre: Qui Est La, directed by Peter Brook, Elsinore, directed by Robert Lepage, and Hamlet: a monologue, ...
... hypertheatre) of fluid identities.43 Thus, in our new century, the danger increases of melodramatic justifications for violence, moving mimetically from stage and screen to real-life sacrifice (more subtly than the use of radio and TV ...
This first book-length study on the topic argues that doors engage in and help to shape broad phenomena of performance across key areas of critical enquiry in the field.