Francesco Petrarca (1304-74) has been described as the 'first modern man of letters' and his influence on the European lyric tradition has been widespread. The poems of his Canzoniere, closely associated as they are with the enigmatic figure of Laura, were soon to become the models for love-poetry in nearly all major European literatures in the Renaissance. The new translations here use the same rhyme schemes and broadly the same metres as those used by Petrarch himself. The facing English texts are thus not intended to be absolutely literal, but to reflect the inner meanings and moods of the originals, with some further literal translations of difficult passages added in the notes. The notes to the poems also cover their likely dates, mythological allusions, certain background settings, and a number of other calendrical and structural features which appear to emerge from the actual sequencing of the collection itself. There is also a section on old Italian syntax. and other linguistic aids. The new translation of Petrarch's Rerum Vulgarian Fragmenta is in two separate volumes.
Trans . from the German by William C. Lawton . New York : Ungar , 1958 . Vossler , like Gaspary , despises BL's use of allegory . E : GENERAL STUDIES General studies of BL are usually 57 Critical Reviews of Scholarship.
Assembled with the collaboration of Zanzotto himself and featuring a critical introduction, thorough annotations, and a generous selection of photographs and art, this volume brings an Italian master to vivid life for American readers. ...
Modern Italian Poets: Essays and Versions
Purgatorio
The poet deals with the origin of life (genetic way).
Incontri Celesti (Celestial Encounters): Fangossaia, VIIo Episodio (Mud and Bones, 6th Episode)
"The work of Giorgio Caproni has been translated into French, German, and Chinese, among others, but this collection is his first book-length English publication.
English translation and translator's preface A2015 by John Taylor.
It tells the story of a character who is at one and the same time both Dante himself and Everyman.
Petrarch the Poet: An Introduction to the Rerum Vulgarium Fragmenta